By Jami Deise
Ever since it was a minor plot point in the movie The Sixth Sense, Munchausen syndrome by proxy (MSBP) has been a popular subject in fiction and nonfiction. While Gillian Flynn’s Strange Objects, recently the subject of an HBO miniseries, may be the most well-known story to hinge upon that reveal, other works do not play the twist so close to the vest. In author Stephanie Wrobel’s well-received debut, Darling Rose Gold, the syndrome is front and center as the author demonstrates the type of person who would deliberately sicken their child for attention, and what happens to the child who was tortured in this way. The result is a twisted work from which the reader cannot look away.
Rose Gold Watts grew up believing her various maladies, which forced her to be home-schooled, use a wheelchair, and shave her head, were the result of a chromosomal disorder. But a chance comment by a neighbor when she was 18 revealed the truth, and it was her testimony that sent her single mother Patty to jail for five years for child abuse. Now Patty has been released, and has moved in with Rose Gold and her baby, Adam. But is Rose Gold really as forgiving as she appears?
The novel is told from both women’s first-person point of view, and that is its biggest advantage and biggest drawback. Likability in fiction is a much-debated topic, and neither protagonist is likable. Patty is incapable of introspection or taking responsibility, and Rose Gold has been severely damaged emotionally from her mother’s medical abuse and emotional control, as well as her own isolation. In the first several chapters, this combination makes it difficult to root for either woman, and the reader isn’t necessarily compelled to keep going. Even Patty’s own childhood abuse isn’t enough to create concern for the character.
As the novel progresses, however, the author’s use of non-linear structure (it begins five years in the past, and goes back and forth between that time period and what happens after Patty’s release from jail) lets a stronger picture of Rose Gold emerge. Mysteries in the timeline are presented and eventually resolved in ways that are emotionally satisfying for the reader. Although I finished the book thinking that a major unforeseen plot twist was implausible, I appreciated it just the same.
By the end of the book, Wrobel proves that a protagonist does not have to be likable for a reader to root for her. A clever character who gets the better of her antagonists is worth following any day.
Thanks to Berkley for the book in exchange for an honest review. They have one copy to give away!
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Carrie’s mom in Carrie!
ReplyDeleteMrs. Bennett in P & P.
ReplyDeleteSnow White's stepmother
ReplyDeleteSo many in books, movies and real life. How about that mother from Colorado (?) who just flew with boyfriend to Hawaii (?) and nobody knows where her 2 kids are?
ReplyDeleteThose are good ones! I would chime in with Cinderella's stepmother too.
ReplyDeleteJoan Crawford in Mommy Dearest
ReplyDeleteMargaret, the mother in Carrie. I'll never forget her.
ReplyDeleteThe first one that came to mind is Joan Crawford in Mommy Dearest.
ReplyDeleteTV show - Roseanne.
ReplyDeleteJoan Crawford
ReplyDeleteMarie on Everybody Loves Raymond
ReplyDeleteJane Fonda in Monster-in-Law
ReplyDeleteJane Fonda in Monster-in-Law
ReplyDeleteJane Fonda in Monster-in-Law
ReplyDeleteEmily on Gilmore Girls... but she comes around!
ReplyDeletePatsy from Patsy
ReplyDeleteRoseanne on her TV show
ReplyDeleteJane Fonda in Monster In Law.
ReplyDeleteI just rewatched Rodger’s and Hammerstein’s Cinderella on YouTube and find myself angered by the wicked stepmother. She wins the prize as the worst!
ReplyDelete