Melissa:
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A place where people can learn about new novels, read reviews, meet authors and win books! Along with rom-coms, we also feature historical fiction, psychological thrillers, and the occasional memoir.
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Maya Darlington-Hume is the life of the party, used to turning heads—and getting her way. But behind the champagne and charm is a woman chasing something real, especially from the one man who’s never taken her her father. So when she discovers the gorgeous stranger who caught her mid-bath is actually her father’s business partner—and her new boss—Maya decides to have a little fun.
Benedict Chivers has worked hard to get where he is, and he’s not about to risk it all for a fling. Especially not with his investor’s irresistible daughter. But Maya is hard to ignore… and even harder to resist.
Their connection is electric, their chemistry off the charts—but with so much at stake falling into bed might be the easy part. Staying out of trouble? That’s another story. (Synopsis courtesy of Goodreads)
From the very first line, I knew I was in trouble–in a good way. The first chapter showcases how Benedict finds Maya in a bit of a compromising position, which ends up not being too compromising for either of them, even though Benedict wants it to appear that way. For him, getting into bed with Maya (personally or professionally) could be problematic, and he knows the best decision would be to keep her at arm’s length.
Maya has other ideas. She’s spent most of her life in her dad’s shadow, having to deal with the judgement that often comes from being the daughter of a powerful man. No one takes her seriously, assuming she has everything handed to her, with no need to work for what she wants. I think it makes her work that much harder–even when it comes to matters of the heart. She knows Benedict should be off limits, but the type of connection they share is all too powerful, despite what she knows is best.
This is an "opposite sides of the track" story; Benedict is a self-made man, while Maya comes from a background of influence. Yet they both manage to meet in the middle, learning from one another, discovering that the opinions they had don’t really matter, and aren’t really true, anyway. Maya wants to break away from her father and make a name for herself, and Benedict has a lot more to offer than just his business. They are a lot more than where they came from.
The biggest obstacle is facing Maya’s father. Sprinkled throughout In Too Deep are very spicy scenes between the two main characters that could make anyone blush; it reminded me a bit of the movie Secretary–maybe not the exact type of content, but definitely the same sentiment. It made for a very engaging reading experience that kept me on my toes.
Thanks to Rachel's Random Resources for the book in exchange for an honest review.
Christy McKellen is a best selling, award-nominated British writer of spicy, pacy, emotionally charged contemporary romances and rom-coms, featuring strong, determined heroines and irresistible alpha heroes.Best known for her enemies to lovers, opposites attract, holiday and workplace romances, Christy sets her books in the glamorous worlds of film, media, and the arts, where forced proximity and undeniable chemistry lead to steamy love stories full of passion, tension, and emotional depth.
Formerly a Video and Radio Producer, Christy now spends her time (when she’s not writing) walking for pleasure and researching other people's deepest secrets and desires.
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| Credit: Liv in the Moment Photography |
Thanks to Camille for visiting with us and to Random House for sharing her book with our readers.
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By Jami Denison
Jews murdered at synagogues and festivals. Jewish students harassed in schools and universities. Jewish businesses boycotted. Jewish customers kicked out of stores and restaurants. Jews being put on lists. Jews wondering if it’s time to leave their country. 1930s Germany? No. It’s happening now in Western democracies. Antisemitism has always been an early warning sign that something is really wrong in a nation. Countries that harm their Jewish population often go onto deeper horrors.
Non-fiction author Judy Batalion paints a picture of pre-World War II Poland in her debut novel, The Last Woman of Warsaw. Two young Jewish women struggle for independence as the clouds of antisemitism gather. Will they be able to protect themselves before it’s too late?
It’s 1938, and Fanny Zelshinsky, only daughter of a rich divorcee, is newly engaged. But she cares more about changing her college major from French to fine arts, and entering a photography show that would showcase her fashion photos. When her favorite professor Wanda Petrovsky disappears before she can approve Fanny’s transfer, Fanny becomes desperate to find her.
Grocer’s daughter Zosia Dror has left her shtetl for Warsaw in hopes of securing a visa to move to British Mandate for Palestine and play a part in securing the Jewish homeland there. But when the movement’s leader, Wanda Petrovsky, disappears, Zosia is torn between staying in Warsaw, returning to her family, or finding another way to create Eretz Israel.
The women are polar opposites—Fanny fearless and outspoken, Zosia insecure and doubtful—and at first they clash as they seek to find Wanda. But as they keep running into each other, eventually they realize they’ll need each other to help their mentor—and for whatever else is coming.
The Last Woman of Warsaw is unlike most books of the time period, which emphasize the danger the Jews are facing and usually conclude after the end of World War II. This novel is a slow burn, and Fanny in particular is so consumed with her photography and wanting to avoid her marriage that she barely notices the storm clouds. And while Zosia realizes danger is in the air, she’s so caught up in the politics of the movement—trying to figure out who’s really working to create a Jewish homeland and who only wants a ticket to Tel Aviv—and her crush on a co-worker that she’s not on high alert.
The city of Warsaw itself is also a character, teeming with art and fashion and positioning itself as the Paris of eastern Europe. Its Jews make up a hefty percentage of its citizens, and they work in important professions as financiers, university professors, lawyers. Jewish leaders are well aware of Hitler and his threats, but they don’t believe anything like that could happen in a place like Warsaw.
Some chapters were a bit too “inside baseball” for me—I don’t know enough about the difference between socialism and communism to follow those debates—and at times, the dialogue was a bit preachy and unrealistic. But overall, the author sends a very powerful message about people who happen to be Jewish trying to live their lives while dark forces assemble against them.
In the 1930s and 40s, European Jews watched as waves of antisemitism crashed over their countries. The lucky ones got out early; others were trapped by quotas and murdered in concentration camps. After the war, Jews were left homeless and stateless until the founding of Israel. And now, two and a half years after Hamas attacked Israel, Jews around the world are again wondering if their countries are too dangerous for them to stay. Ironically, Israel, which has been almost under perpetual attack since its founding, may be the safest place for them to go.
If it could happen in Warsaw in 1939, it could happen in London in 2026.
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By Sara Steven
Talia Danvers is an engineer for a high-end dating app who hasn’t managed to code her own love life. Then she reconnects with Townsend the one who got away.
Or, more accurately, the one who left her for someone else. But Townsend swears he’s a changed man, and Talia wants to believe him. Even if he is the prime suspect in the disappearance of Amanda Reade, the same woman who broke them up in the first place.
In cases like these, it’s always the boyfriend. That’s what Amanda’s sister Kaitlyn thinks. So does Talia’s colleague Meera Ratnam—and she’ll risk everything to convince Talia that she’s making a deadly mistake.
Then Talia starts receiving menacing texts from Amanda. Suddenly, no one knows what to believe. Is Townsend guilty? Is Amanda alive? Or is someone playing games? (Synopsis courtesy of Goodreads.)
Yours Always was a wild ride. One minute, I felt certain as to what is going on and who to be wary of, but in the next minute, everything I thought I knew would get upended, and it felt like I was right back to where I’d started!
The viewpoints given to the reader are provided by Talia, Townsend, Kaitlyn and Meera–and just like what one can come to expect from human nature, truth is severely objective. There are even moments of clarity from Amanda, Kaitlyn’s missing sister, and there is a lot of back and forth as to whether she is alive and well and hiding out, a characteristic she’s prone to do, or whether she’s missing and has been harmed. No one really knows for certain, with the major build-up leading up to the ultimate truth.
The viewpoints flowed effortlessly. I never felt lost or like I didn’t know what was happening, other than when I thought I knew for certain what was really going on behind the scenes for Amanda. In the end, the scenarios reminded me of the film He Loves Me, He Loves Me Not. For the first half of the movie, the viewer gets to see the perspective from one character’s point of view, and then the second half, it’s from the other main character’s perspective, and only then is true clarity achieved. It felt a lot like that for me with Yours Always, which only added nicely to the build-up for everyone involved.
My favorite character was Meera. It’s like she was the voice of reason within a sea of chaos, even when no one wants to listen or believe. I thought it was interesting how her involvement with everyone is slowly revealed over chapters, with a lot of unexpected results. This was a true psychological thriller, a five-star experience for me!
Thanks to MB Communications for the book in exchange for an honest review.
Also by Corinne Sullivan: Indecent
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Deborah Levison’s life has two parts: the first in Canada, where she attended the Royal Conservatory of Music and the University of Toronto, and the second in Connecticut, with three children, two doodles, and one husband.
She's an award-winning writer, published in national and international media, and is the recipient of the State of Connecticut Martin Luther King 2024 “Courage Like Coretta Award” for raising awareness of world atrocities through her writing and speaking.
Her first book, THE CRATE, is a nonfiction, true crime story about a murder that involved her family. A NEST OF SNAKES followed, inspired by real-life lawsuits against elite New England private schools. A NOVEL CRIME, her latest, is about a desperate romance writer whose chance encounter with a glamorous celebrity novelist sends her down a rabbit hole of mayhem.
Debbie’s dream of storytelling began one summer night by a camp bonfire as she listened to a ghost story: The Monkey's Paw. The memory still makes her shiver.
Synopsis:Thanks to Deborah for visiting with us and for sharing her book with our readers.
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By Melissa Amster
Hollywood, 1938: As soon as she learns that M-G-M is adapting her late husband’s masterpiece for the screen, seventy-seven-year-old Maud Gage Baum sets about trying to finagle her way onto the set. Nineteen years after Frank’s passing, Maud is the only person who can help the producers stay true to the spirit of the book—because she’s the only one left who knows its secrets.
But the moment she hears Judy Garland rehearsing the first notes of “Over the Rainbow,” Maud recognizes the yearning that defined her own life story, from her youth as a suffragette’s daughter to her coming of age as one of the first women in the Ivy League, from her blossoming romance with Frank to the hardscrabble prairie years that inspired The Wonderful Wizard of Oz. Judy reminds Maud of a young girl she cared for and tried to help in South Dakota, a dreamer who never got her happy ending. Now, with the young actress under pressure from the studio as well as her ambitious stage mother, Maud resolves to protect her—the way she tried so hard to protect the real Dorothy.
The author of two New York Times bestselling nonfiction books, The Eighty-Dollar Champion and The Perfect Horse, Elizabeth Letts is a master at discovering and researching a rich historical story and transforming it into a page-turner. Finding Dorothy is the result of Letts’s journey into the amazing lives of Frank and Maud Baum. Written as fiction but based closely on the truth, Elizabeth Letts’s new book tells a story of love, loss, inspiration, and perseverance, set in America’s heartland. (Synopsis courtesy of Amazon.)
I had been wanting to read Finding Dorothy for quite some time and never got a chance to until now. I am so glad I read it as it was really interesting and well-told. I enjoyed learning about Maud Baum's life and her connection with The Wizard of Oz. There is even some relevance to present-day issues.
My exposure to The Wizard of Oz was through the movie and I will admit I never read the books. I didn't know anything about L. Frank Baum's life, so I was fascinated to learn more about him through this story, even though the main focus was on Maud. She was a captivating woman and I appreciated getting the chance to know more about her. I didn't even know that her mother was a famous suffragette in the late 1800s: Matilda Gage.
Maud went through a lot in her life and we only really learn about everything up until Frank becomes a famous author for his Wizard of Oz book series. After that, we don't see Maud again until she visits the set of the movie in 1939 and befriends Judy Garland. Throughout the novel, we learn all about Maud's background from when she was a kid to when she goes to college and meets Frank soon after, to her life as a mother and moving to the Dakota Territory with her family. She and Frank endure some hardships and heartbreaks in their lives but they find a way to get through them in order for Frank to become successful. (These hardships are included in the trigger warnings below.) I loved how Maud really put herself out there to make sure the movie was done the right way and also how she tries to stand up for Judy, especially after some concerning situations.
Overall, this was a really engaging story and I enjoyed discussing it with my book club recently. I didn't really have any casting ideas, but I'd love to see Kathy Bates as Maud in the 1939 scenes.
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TW: Childbirth complications, miscarriage, death of infant, abortion, death of parents, inappropriate behavior of an adult towards a minor, an animal gets killed early in the story, poverty